“Feargal Mostyn-Williams performed heroically as Antonio. He has a sweet voice with a lovely upper register, and acted like a veteran.”
— Antonio: The Merchant of Venice/ Welsh National Opera/ Gloucestershire Live

Feargal MOstyn-Williams - Countertenor.

Feargal Mostyn-Williams was the first countertenor to be a Young Artist at the National Opera Studio. He made his debut stepping in as the title role of Andrei Tchaikowsky’s The Merchant of Venice for Welsh National Opera at the Wales Millennium Centre, Cardiff.

Prior to this, he studied at the Royal College of Music and was a choral scholar at King’s College Cambridge.

Current and future projects include Akhnaten (cover) Akhnaten, Glass - English National Opera, Piero Seven Angels, Dove - Victoria and Albert Museum, Marie Stopes, Dear Marie Stopes, Alex Mills - Tete a Tete FestivalUnulfo (cover) Rodelinda - English National Opera, the world premiere of The Judas Passion - Sally Beamish with the OAEThe Messiah in York Minster and Arundel Cathedral.

His roles at the National Opera Studio were Orfeo - Gluck, Orfeo ed Euridice and Angel 1/The Boy - Benjamin, Written on Skin. NOS scenes with Opera North included Bertarido Rodelinda and Orlando Orlando. Scenes with Scottish Opera included The Astrologer The Golden Cockerel, Rimsky-Korsakov, and scenes with Welsh National OperaOberon, Britten A Midsummer night’s Dream, Arsamenes, Handel Xerxes, and The Cherub, Langer Figaro gets a Divorce.  

In the '16-'17 season he returned to Opera Holland Park as the Cheshire Cat in Alice's Adventures in Wonderland as well as covering both the role of Athamas Semele as an Alvarez Young Artist for Garsington Opera, and Antonio The Merchant of Venice for the Royal Opera House Covent Garden.

His other roles include creating Kai Killer Graphics (Têtê à têtê/RCM), Oberon A Midsummer Night’s Dream (RCM, Surrey Opera), Didymus Theodora (Atelier Lyrique de Londres, RCM), Ottone L’Incoronazione di Poppea (RCM Opera Scenes).

His concert repertoire includes Handel’s Messiah and Dixit Dominus; Bach St Matthew Passion and Geist und Seele BWV35; Orff Carmina Burana; Vivaldi Gloria; Purcell Te Deum and Come Ye Sons of Art; Bernstein Chichester Psalms; Britten Abraham and Isaac and The Journey of the Magi; Korngold V Lieder Op.38; Schumann Liederkreis Op.39; and virtuosic arias and cantatas written for Farinelli.

He is dedicated to expanding the appeal and repertoire of the Countertenor voice and has taken part in masterclasses on operatic repertoire with Ann Murray DBE, James Bowman, Andreas Scholl, Michael Chance, Lawrence Zazzo, Deborah York, as well as on Bach Obbligato Arias with Masaaki Suzuki and on Schumann Liederkreis Op. 39 at the Oxford Lieder Festival with Sarah Walker, and cross-cultural concerts in the Indian Himalayas. He has a particular ability in Contemporary music, and a strong affinity with Lute Song.

His recordings include 'Britten - Rejoice in the Lamb' (King’s College Cambridge) and 'Veneer' with the Graham Fitkin Band. He is also a member of the National Centre for Circus Arts practicing Acrobalance.